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New STILLIFE tracks!

17 June 2008  ·  General News  · By McAllen

www.myspace.com/stillifeofficial

Latest News
ENTHEOS Go Industrial On 'Undone' — Chaney Crabb Calls It One Of The Most 'True To Ourselves' Songs They've Written 28 Aug 2026 DREAMWELL's 'Hymns For The Denial Of God' Is Out — Thirty-Four Minutes Aimed At Weaponized Faith 28 Aug 2026 LUGUBRIOUS GARMENT: COSMIC PUTREFACTION Mastermind Announces Debut Album on 20 Buck Spin 28 Aug 2026 PONTE DEL DIAVOLO Release Live at Hellfest Video 28 Aug 2026 SOULLESS Drop Two Tracks On Heroes & Martyrs — An Instrumental Called 'The Intimidator' And A Song About Who Stopped Deserving Your Time 28 Aug 2026 THE MATERIA Release The 'Hurt' Video — 'We Against Us - Prologue' Is On CD Today, Digital September 17 28 Aug 2026 CARNIFEX Announce 'More Than Misery' For November 6 — Scott Ian Lewis Is Finally Writing From The Other Side Of Survival 28 Aug 2026 NIGHTWISH Mark Thirty Years With 'The Greatest 30 Years On Earth' — Two Contrasting Shows, A Holopainen Documentary, December 11 28 Aug 2026 Kirk Hammett Releases The Full London 'Collection: Live' Film — Including The Surprise Jam With Robert Trujillo 28 Aug 2026 The Two Albums That Built Metal Get Reel-To-Reel Editions — 'Black Sabbath' And 'Paranoid', 500 Copies Each 28 Aug 2026
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This Day in Metal
29 AUG
1988

On August 29, 1988, HELLOWEEN released Keeper of the Seven Keys: Part II through Noise Records — the album that finished building European power metal. Recorded across May and June 1988 at Horus Sound Studio in Hanover in sessions that ran around the clock, it completed the two-part work begun the previous year and gave the genre its defining vocabulary: galloping double-bass drumming, twin-guitar harmonies, soaring clean vocals and choruses written to be sung by thousands of people at once. Michael Kiske was 20 and delivering one of the great metal vocal performances; Kai Hansen and Michael Weikath wrote the material. "I Want Out" became the band's best-known song and has been covered by GAMMA RAY, SONATA ARCTICA and dozens more. Metal Hammer scored it a perfect 7/7 and later named it the greatest power metal album ever made.

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