METAL CHURCH's "F.A.F.O." Video Surpasses 400,000 Views as New Album Nears

13 January 2026  ·  New Music  · By Scorpio

METAL CHURCH's comeback single "F.A.F.O." has surpassed 400,000 views on YouTube, signaling overwhelming fan anticipation for the band's thirteenth studio album "Dead to Rights," due April 10 via Rat Pak Records. The milestone marks a significant moment for a band that has weathered numerous lineup changes, tragedies, and industry shifts across four decades while maintaining a fiercely loyal fanbase that has never stopped believing in the power of classic heavy metal.

The revamped lineup features founding guitarist Kurdt Vanderhoof, the creative engine behind METAL CHURCH since their self-titled debut in 1984, alongside bass legend David Ellefson, whose thunderous low-end work with MEGADETH made him one of thrash metal's most recognizable bassists. Powerhouse drummer Ken Mary, who played on the classic "The Human Factor" album, returns to the fold, while dynamic new vocalist Brian Allen of VICIOUS RUMORS brings a powerful range that nods to METAL CHURCH's tradition of commanding frontmen — from David Wayne to Mike Howe.

The "F.A.F.O." single itself showcases a band rejuvenated by the fresh chemistry of the new lineup. Vanderhoof's riffing cuts with the precision and heaviness that made albums like "Blessing in Disguise" and "The Dark" essential listening for power-thrash enthusiasts, while Allen's vocals soar and snarl with equal conviction. The accompanying music video, directed with a gritty, performance-driven aesthetic, has resonated powerfully with both longtime fans and newcomers discovering the band for the first time.

"Dead to Rights" promises to be one of the most significant METAL CHURCH releases in years, arriving at a time when the classic heavy metal revival is in full swing across the globe. The band plans extensive touring in 2026, with European festival dates at Brutal Assault and Alcatraz already confirmed, plus support slots on the BLACK LABEL SOCIETY European run. Industry observers have noted that the album could represent a career renaissance for METAL CHURCH, firmly putting them back in the conversation among elite traditional metal acts.